Alla Andrea Appianis Oljemålningar
ID Bilder  Oljemålningar Från A till Z     Information
44247  
Andrea Appiani, Allegory on the Peace of Pressburg
  		Allegory on the Peace of Pressburg 1808 Oil on wood, 38 x 46 cm
44236  
Andrea Appiani, General Desaix
  		General Desaix 1800-01 Oil on canvas, 115 x 88 cm
79180  
Andrea Appiani, Madame Hamelin
  		Madame Hamelin 1798(1798) Oil on canvas Width: 0.55 m (0.6 yd). Height: 0.7 m (0.8 yd). cjr
90849  
Andrea Appiani, Portrait de l'Imperatrice Josephine
  		Portrait de l'Imperatrice Josephine oil on canvas Français : Huile sur toile Dimensions 98.5 x 74.5 cm (38.8 x 29.3 in) cyf
80518  
Andrea Appiani, Portrait de Nicolas, comte Frochot
  		Portrait de Nicolas, comte Frochot 1806(1806) Medium Oil on canvas Dimensions 99.5 x 74 cm (39.2 x 29.1 in) cyf
79828  
Andrea Appiani, Portrait de Nicolas, comte Frochot, ou, Portrait de Pierre Etienne, comte Mejan
  		Portrait de Nicolas, comte Frochot, ou, Portrait de Pierre Etienne, comte Mejan 1806(1806) Oil on canvas 99.5 x 74 cm (39.2 x 29.1 in) cjr
79834  
Andrea Appiani, Portrat des Napoleon
  		Portrat des Napoleon 1805(1805) Oil on canvas 100 x 75 cm (39.4 x 29.5 in) cjr
32617  
Andrea Appiani, Recreation by our Gallery
  		Recreation by our Gallery mk79 About
Andrea Appiani
Italian Neoclassical Painter, 1754-1817 was an Italian neoclassical painter. He was born at Milan. He had been intended to follow his father's career in medicine but instead entered the private academy of the painter Carlo Maria Giudici (1723?C1804). He received instruction in drawing, copying mainly from sculpture and prints. He then joined the class of the fresco painter Antonio de' Giorgi, which was held at the Ambrosiana picture gallery in Milan. He also frequented the studio of Martin Knoller, where he deepened his knowledge of painting in oils; and he studied anatomy at the Ospedale Maggiore in Milan with the sculptor Gaetano Monti. His interest in aesthetic issues was stimulated by the classical poet Giuseppe Parini, whom he drew in two fine pencil portraits. In 1776 he entered the Accademia di Belle Arti di Brera to follow the painting courses of Giuliano Traballesi, from whom he received a mastery of the fresco technique. His best pieces are in the church of San Maria presso San Celso and the royal palace at Milan, almost rival those of his master. He was made pensioned artist to the Kingdom of Italy by Napoleon, but lost his allowance after the events of 1814 and fell into poverty. During his stint as court painter he rendered portraits of Napoleon and the chief personages of his regime.



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